a terra (on the ground)

This four-handed work was born from the proposal I sent to Lídia Masllorens, by telephone, in full confinement. I invite her to paint, both of them, on the same floor; continuously; without beginning or end; focused on the act of painting; creating continuous painting, moment by moment; every moment, a painting possible; no concrete paint fixed; to paint over and over again on what is painted; repainting what is painted over and over again; discard any formally defined and finally concretized pictorial objective; only painting and memory. Piece designed solely to be projected in a loop on a large screen. The viewer can enter and exit the view at any time, without substantially gaining or losing any information regarding another viewer's choice.